domingo, 24 de junio de 2012

The TRANSFORMATO research


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̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿ ̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿ ̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿ ̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿ ̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿K∆th.Set░ K4therine Sultan Erminy
(Visual Artist/Video Artista/ Musical noise)

Caracas, Venezuela (1983)
Master in Fine Art especialice in mix media (UNEARTE 2014)
http://vimeo.com/k4thset/videos
http://www.flickr.com/photos/glitchk4thset/
http://k4thset.blogspot.com
http://www.espaciomad.com/katherine-sultan.html




TRANSFORMATO



The TRANSFORMATO research is an approximation to the multiple manifestations of Glitch Art, disciplines and platforms, as well as its impact on society (Social Network), based on the art of computers and digital error, not only to stay in them, but to transcend them and take them to another level of understanding or appreciation of aesthetic values​​. TRANSFORMATO, besides from playing with limitation in glitch aesthetic, ventures into the breakdown and identification of concepts about Databending (Corruption of Data) within the digital context or level; to interpret, modify and ultimately move them as a metaphor to the plastic area. This research is an approach that breaks with traditional patterns around the ideals of beauty and perfection.


 TRANSFORMATO is the expanded concept of contemporary digital photography. Where an audio file after being subjected to digital processes , becomes a picture or sculpture ; this approach reaches the limiting of  glitch aesthetics or possible the death to this genere.

It is a manifesto against the distance that has been generated from the use of software design that have default filters , and with its simple use will block the user's creativity to give result to images of mold or products of these same filters . It breaks with this creative process to become slaves to the filters or default templates programs in general.

Using default filters for creating digital art is a very conformist action , which is reflected in today's society where all objects possess are a product of that conformity.

Playing with a digital file, shape the data , stripping a memory play a specific moment in time , transform an image are some of the things that attract me from the glitch practice.
       
         It can be compared with what the conscience does when it creates our dreams ; it choose data randomly that would represent our memories, experiences thothgths.

TRANSFORMATO, is the name of the transit State, format and reading.
Mean that a single file,  can change its behavior, shape and appearance infinitely. This problem partakes of the contemporary trend, aesthetic glitch.

The glitch Arts as a relatively new means of expression, is projected into both social networks and the internet, looking to highlight artists from around the world who agree on the same ideals, creating a loud and wrong movement, inspired by the aesthetics of badfunctioning of machines.
The first approaches to the author of this work with the data bending or technical glitch was generate inspired through the book “Glitch Designing Imperfection “cured by Iman Morandi, Ant Scott, Joe Gilmore and Christopher Murphy in 2009.

             Visual experiments inspired by the music from the collective “musicaculpable.org” an lot of experiment with software and predefined filters, doubling in parallel planes and distortion, editing light exposure, use of analog filters distortion, destruction and self-portrait video, skype conversations recorded and destroyed to create a sequence of musical noise... are just some of the resources and techniques that have given rise to this investigation concerning the data bending.
This was achieved with all the possibilities offered by the software, and certainly formed the starting point for this work and its significance; lies in a constant search to generate the error and all that it symbolizes a kind of iconoclasm or rebelliousness of art on the one hand, and on the other, the process and life of the artist.

          That same year the first contact via web with Rosa Menkman a Dutch artist and glitch theorist, one of the most important and beautiful so called mother of glitch, she wrote an amazing guide, in Amsterdam for 2009, called A vernacular-of-file-formats. With this guide and the book above, plus a lot of data bending practices, ended up being long nights awake playing with the computer finding out how to created infinity of digital errors.
In parallel, the artist continued with photography.
In a series of research questions around digital art, digital formats,compresions, glitch art movement and its development in social networks, the glitch seen as something more than just a digital error and the approach of the present investigation was triggered "decontextualize the digital format as a metaphor" is a contemporary problem of virtuality and NetArt, depending on their main task force to keep, merge the virtual world in the context of material reality, space is subject to experimentation with digital artifacts.

Digital technology has the distinction of working with corruptible codes; hence one of the protagonists is NetArt would be the error. This intentionally generated an spontaneous error, stars and guide the research of theorists glitch aesthetic. The error may be the answer to the need to transform or build the digital plane.
The glitch movement is in a constant research that questions the ideals established, those for which the codes and formulas were designed. It reveal new tools and techniques to transgress the institutional and regent, and could be an important background to the ideal of perfection.

The process to create a glitch can make all plastic problematic both as intellectuals accompanying arise: photography as its visual essence and musical influence; Design vs glitch. real glitch, the digital garbage, global cultural exchange, the natural in contrast to virtual, deconstruction and construction, among many other concerns of the artist.
Getting closer to this genre as a hybrid of specialties such as graphics, photography and contemporary sculpture, we see the possible techniques are mixed to generate a work that highlights a current reality, up to decode.

TRANSFORMATO is essentially "photograph" , which after being altered becomes a hybrid of graphics and contemporary sculpture , fusing techniques like audio post production and video , digital processing of analog photographic image to a more advanced level of corruption formats as it is from film negatives , mini DV tapes , VHS tapes up .

The phenomenological problems of work lay in the need to express two opposing planes at once ( subject-object , space-time, matter-spirit , chaos - order noise - silence, light-dark , digital - analog) to give emphasis to technological process as a means of analysis and discussion, which is the plastic material work.

The visual glitch is a manifestation of the failure, in most cases means the interruption of data tranfer from one source to another , that is, from lack of communication between binary systems. Aesthetically, the glitch art are evident features of visual composition as repetition , fragmentation - by - pixel , the linearity and noise.

The contemporary context is a factor that makes the glitch aesthetics; live in an age where everything is based on ideals of perfection and somehow , the glitch art breaks all these paradigms to generate a new perception of the world around us . Technological errors resulting from malfunctioning machines , manifest in imperfect images that were rubbish at some point, and now object of our appreciation.

            TRANSFORMATO is the result of a thorough investigation into digital formats and their reaction to the different methods of data corruption or databending term that refers to the alteration of data containing a digital image. For example , if an image is opened in a text editor ( Wordpad, TextEdit, gedit , etc. . ), The image is shown as a composition of characters; these characters make up the image information regarding their color, size, organization and pixel shapes in general. This construction process of artistic approaches to the reality of the digital image .
Contextualize the digital format as a metaphor, is a current research that take place under the glitch aesthetics and her limits, the problems of virtuality in terms of physical spaces to leave the galerys and remain in the web ; the error generated guide,a reserch aesthetic that questions the ideals that have been raised theoretical around digital artifacts .

Getting closer to glitch as a hybrid of specialties such as graphics, photography and contemporary sculpture , we see the possible techniques are mixed to generate a work that highlights a current reality.
        The glitch arts as a relatively new means of expression , is projected into both social networks and the internet, looking to highlight artists from around the world who agree on the same ideals , creating a loud and wrong movement , inspired by the aesthetics of malfunctioning machines.

The hand of the artist intervenes the data and leaves its mark on the visual essence of the image ...

   TRANSFORMATO is the expanded concept of contemporary digital photography. Where an audio file after being subjected to digital processes , becomes a picture or sculpture ; this approach reaches the limiting of  glitch aesthetics or possible the death to this genere.

It is a manifesto against the distance that has been generated from the use of software design that have default filters , and with its simple use will block the user's creativity to give result to images of mold or products of these same filters . It breaks with this creative process to become slaves to the filters or default templates programs in general.

Using default filters for creating digital art is a very conformist action , which is reflected in today's society where all objects possess are a product of that conformity.

Playing with a digital file, shape the data , stripping a memory play a specific moment in time , transform an image are some of the things that attract from the glitch practice.
       
         It can be compared with what the conscience when building a dream ; data randomly in the latter case would be our memory, memories, experiences and gradually gives you a way is chosen.
     
        Works of art glitch revealed a penchant for art of error and distortion of data, with a search request a change in matter , and in this case not virtual but real.

            The glitch art destroys all traditional metaphors of the digital industry : no windows, no mouse , no scroll bars , by contrast , suggests digital art in a different way . The characteristic error glitch makes us reflect on the vulnerability of the controller information society . . Below operating systems like google , social networks, etc. , no programming codes ; they are a constant source of errors and curiosities, like the fact that the browser window is not really a window but a set of zeros and ones.

             Factors such as interest in new technology , constant research of artists on the web, live in a city that projects contamination in all aspects ( visual, aural, the aggressiveness of the people on the streets ) , the constant sense of political instability and insecurity , gradually leading to the author Hoc Grade to narrow your artistic research through the glitch aesthetic. A kind of alchemical practice that transforms everything chaotic visually perceived images ( glitches ) , harmonics and sound ; this practice is the means to sensitize the viewer around the digital plane.

In the data , it is easy to see the malfunctioning of computers, the endless possibilities that come with software to generate errors , which seems to correspond with the chaos and graphically explained.



The glitch art is a revelation of the digital era, probably against control information system in general, to remind us that we are human and not machines, that the presence of error is inevitable. It is possible to observe in everyday of our lives. The error , in most cases manifest with intent to convey a message , which leads to the need to generate and spread down to the essence of the picture, sound , words, and other events that destroy our routine . Everything in life has its moment of rupture, break , transformation . The glitch is not only a digital error ; at many stages of history , the error has appeared in various expressions in the plastic and music, for example. Today we appropriate it to consciously change our context.

TRANSFORMATO is a manifestation of binary character may represent a genuine fondness for computers and dissatisfaction with the aesthetics of perfection; a new language that is discovered as a communication medium , the appropriation of the error as a compositional principle .
Through this artistic practice , a plastic piece that holds in reality with your digital essence is obtained , it aims to become a tangible and enduring part in time, within the context of ephemeral virtuality.
 The history of photography can be seen as a dialogue between the desire to be closer to reality and the difficulties in doing so. So , despite appearances, the domain of photography lies more properly in the field of ontology than for aesthetics. ( Foncuberta , 1997 )

  TRANSFORMATO is the expanded concept of contemporary digital photography. Where an audio file after undergoing bending low data processes ,

becomes a generative glitch taking an indefinite way in the virtual space.

Move the corrupted digital format, plastic context involves a series of questions and approaches concerning the museological space, time , materials, lighting , weight, volume involve such transfer would also have to consider the political, social context, where we live at present to undertake such action.
                  
Initially I wanted to develop a series of cubic modular sculptures that represented the corrupt digital formats (at pixels ) of an image . Jpg randomly altered text edit  , hence the crominancias born .
The idea of moving a digital corrupt file to the context of plastic and sculptural formalism, comes from the need to generated a particular glitch in the physical space, a modular cubic projection that could represent corrups patterns of digital formats processed through various methods of data corruption or databending.


Advancing research TRANSFORMATO, approaches the spatial glitch, as a unification of technical experienced and the collapse of digital systems.


" Our selfts are involved in the spiral of the outside-in , drawn by another revolving door of the unconscious ."
Derrida

The Glitch Art evolves hand of technology, like a virus that spreads inside the virtual space and then projected into physical space . These two spaces in constant communication ( museums , galleries , streets, nature, ) corresponding to the virtual spaces ; misunderstood and not as a mistake but as a new aesthetic defined by the misuse of the machines.

This artistic practice reflects a particular way of interacting with computers and a way of perceiving the world from another context; the error generated triggers a series of changes within the data , such as a memory that is distorted by contact with matter , creating an inevitable poetic context .
The glitch is an alchemical practice experience for the total transformation of the digital - to matter at some point was a foreign - stimulus to be processed by one or more machines to return to the physical space as a virtual appliance , sound , sculpture , plastic .
           From the glitch practice we get lost in the abyss of virtuality and the infinite possibilities of error.
But what message we want to convey the beauty of digital error? It is a reflection of ourselves through the machine, the need to transform reality, and keep the unexpected emergency , the constant awareness of the binary operation.
 " To think about how to generate an error , is to think the error in a  different way ." Not have control of the results is a research within the invisible essence of the image .

The glitch art is a genere that takes resources from film , music, sound , art, to make a remix or collage on the registration of virtuality in terms of creating a saturated whole aesthetic , criticizing perfection and the desire for it . The glitch is an experience that is deeply linked to scientific knowledge , technological vanguard , always changing . And so, the future of the glitch is subject to technological developments , no glitch without technology , because it will determine the technological tool to be used by the creator .

The break is another consequence of working with an aesthetic that manifests itself as an independent entity in response , a tear in art and already obsolete canons. Today, it has become a pop aesthetic , because it has been crowded , but not without its origin in the transgression of perfectionism that would go hand in hand with technology.

           The digital error studies have led to the author of this degree thesis on a long journey into the endless possibilities of aesthetic appreciation digital format , a process that involves a series of moral , philosophical and spiritual , similar questions about the relationship between the virtual world and reality, " the retro projection that exists in man , seeing himself reflected in the machine, " not as a binary entity perfection, but as a source of errors , something much more human and sensitive, the "glitch " is now perceived not as a challenge to the digital level, but as a possibility within the spectrum of everyday life, appreciating reality , transform , distort it , to build it , make use of natural patterns to break and flow in its randomness .

          From this it is evident once again , the true source of all artifice : the human, the flawed nature.

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en

ه̵̵̲̻͖̣̗̯͆͐ͤ̍̾ͪ̚͟͞͝ه̡̧ͮ͆̍͌͂̑ͮͩ̿͂ͯ̿ͪ͋̆ͤ͜͝͏̗͔̣̙͖̟̘̝̟̳͎͚̼̰͈̩͔̼ه̴͔̜̹̬̩̟̹͎͕̲̟̝̩̻͙̗̇͂̓ͤ̾̈́͛ͥ̀̔̉̀͞ه̵̛̠̯̞̦̲̤͕͔͚͎̦̩̗͔̑ͤ̈̀̿̄ͦ̓͂͂̊ͬ̉̎ͫ̃͊͢͞͠ͅه̸̴̢̛͚̥̹̟̻̳̹̲͈̥͎̭͕̔ͩ̑ͫ̾ͪͪ̒͒͋ͭ͊̆̌ͅه̜͙̠̻͈̳̖̞̍̀̑̈́̏ͩͪͭ́́̕͟͡ͅهͯ͂̎̐̄͐̃̉̾̀̔͊̏ͧͦ͋͐́̚͟͏̦̭̫̙͙̣̮̩̼̥͈̰ͅͅه̸̧̭̳̙͚̞͙̤̜͍̘̥̤͋̌ͭ̂ͧͩ̏̅͒̂ͭͣͅه̶ͥ̍ͫ̀ͧ́҉̸͚̟̺̯͍̯͎̼̯̱̞̕ه̴̙̠̞̩͓̮̤̞̙͈̠̟̺ͩ̈͊̊͋̕͞ه̓ͮͫ͂ͤ̔͋ͥ͢҉̸͖̪̟̜̫͓͕̙̩̥̠̣̩̥̺̭͎͍͇͜ه̸̸̘̙̹̼̝͕̏͐͑͋͛͒ͦ̀̋ͯ̏͒ͩ̀ͮ͜ه̀̾ͫ̀҉̭͍̰̤͍̻̠̫͕̝̳̥͔̰̞̘͔̼͢ه̵̵̲̻͖̣̗̯͆͐ͤ̍̾ͪ̚͟͞͝ه̡̧ͮ͆̍͌͂̑ͮͩ̿͂ͯ̿ͪ͋̆ͤ͜͝͏̗͔̣̙͖̟̘̝̟̳͎͚̼̰͈̩͔̼ه̴͔̜̹̬̩̟̹͎͕̲̟̝̩̻͙̗̇͂̓ͤ̾̈́͛ͥ̀̔̉̀͞ه̵̛̠̯̞̦̲̤͕͔͚͎̦̩̗͔̑ͤ̈̀̿̄ͦ̓͂͂̊ͬ̉̎ͫ̃͊͢͞͠ͅه̸̴̢̛͚̥̹̟̻̳̹̲͈̥͎̭͕̔ͩ̑ͫ̾ͪͪ̒͒͋ͭ͊̆̌ͅه̜͙̠̻͈̳̖̞̍̀̑̈́̏ͩͪͭ́́̕͟͡ͅهͯ͂̎̐̄͐̃̉̾̀̔͊̏ͧͦ͋͐́̚͟͏̦̭̫̙͙̣̮̩̼̥͈̰ͅͅه̸̧̭̳̙͚̞͙̤̜͍̘̥̤͋̌ͭ̂ͧͩ̏̅͒̂ͭͣͅه̶ͥ̍ͫ̀ͧ́҉̸͚̟̺̯͍̯͎̼̯̱̞̕ه̴̙̠̞̩͓̮̤̞̙͈̠̟̺ͩ̈͊̊͋̕͞ه̓ͮͫ͂ͤ̔͋ͥ͢҉̸͖̪̟̜̫͓͕̙̩̥̠̣̩̥̺̭͎͍͇͜ه̸̸̘̙̹̼̝͕̏͐͑͋͛͒ͦ̀̋ͯ̏͒ͩ̀ͮ͜ه̀̾ͫ̀҉̭͍̰̤͍̻̠̫͕̝̳̥͔̰̞̘͔̼͢ه̵̵̲̻͖̣̗̯͆͐ͤ̍̾ͪ̚͟͞͝ه̡̧ͮ͆̍͌͂̑ͮͩ̿͂ͯ̿ͪ͋̆ͤ͜͝͏̗͔̣̙͖̟̘̝̟̳͎͚̼̰͈̩͔̼ه̴͔̜̹̬̩̟̹͎͕̲̟̝̩̻͙̗̇͂̓ͤ̾̈́͛ͥ̀̔̉̀͞ه̵̛̠̯̞̦̲̤͕͔͚͎̦̩̗͔̑ͤ̈̀̿̄ͦ̓͂͂̊ͬ̉̎ͫ̃͊͢͞͠ͅه̸̴̢̛͚̥̹̟̻̳̹̲͈̥͎̭͕̔ͩ̑ͫ̾ͪͪ̒͒͋ͭ͊̆̌ͅه̜͙̠̻͈̳̖̞̍̀̑̈́̏ͩͪͭ́́̕͟͡ͅهͯ͂̎̐̄͐̃̉̾̀̔͊̏ͧͦ͋͐́̚͟͏̦̭̫̙͙̣̮̩̼̥͈̰ͅͅه̸̧̭̳̙͚̞͙̤̜͍̘̥̤͋̌ͭ̂ͧͩ̏̅͒̂ͭͣͅه̶ͥ̍ͫ̀ͧ́҉̸͚̟̺̯͍̯͎̼̯̱̞̕ه̴̙̠̞̩͓̮̤̞̙͈̠̟̺ͩ̈͊̊͋̕͞ه̓ͮͫ͂ͤ̔͋ͥ͢҉̸͖̪̟̜̫͓͕̙̩̥̠̣̩̥̺̭͎͍͇͜ه̸̸̘̙̹̼̝͕̏͐͑͋͛͒ͦ̀̋ͯ̏͒ͩ̀ͮ͜ه̀̾ͫ̀҉̭͍̰̤͍̻̠̫͕̝̳̥͔̰̞̘͔̼͢ه̵̵̲̻͖̣̗̯͆͐ͤ̍̾ͪ̚͟͞͝ه̡̧ͮ͆̍͌͂̑ͮͩ̿͂ͯ̿ͪ͋̆ͤ͜͝͏̗͔̣̙͖̟̘̝̟̳͎͚̼̰͈̩͔̼ه̴͔̜̹̬̩̟̹͎͕̲̟̝̩̻͙̗̇͂̓ͤ̾̈́͛ͥ̀̔̉̀͞ه̵̛̠̯̞̦̲̤͕͔͚͎̦̩̗͔̑ͤ̈̀̿̄ͦ̓͂͂̊ͬ̉̎ͫ̃͊͢͞͠ͅه̸̴̢̛͚̥̹̟̻̳̹̲͈̥͎̭͕̔ͩ̑ͫ̾ͪͪ̒͒͋ͭ͊̆̌ͅه̜͙̠̻͈̳̖̞̍̀̑̈́̏ͩͪͭ́́̕͟͡ͅهͯ͂̎̐̄͐̃̉̾̀̔͊̏ͧͦ͋͐́̚͟͏̦̭̫̙͙̣̮̩̼̥͈̰ͅͅه̸̧̭̳̙͚̞͙̤̜͍̘̥̤͋̌ͭ̂ͧͩ̏̅͒̂ͭͣͅه̶ͥ̍ͫ̀ͧ́҉̸͚̟̺̯͍̯͎̼̯̱̞̕ه̴̙̠̞̩͓̮̤̞̙͈̠̟̺ͩ̈͊̊͋̕͞ه̓ͮͫ͂ͤ̔͋ͥ͢҉̸͖̪̟̜̫͓͕̙̩̥̠̣̩̥̺̭͎͍͇͜ه̸̸̘̙̹̼̝͕̏͐͑͋͛͒ͦ̀̋ͯ̏͒ͩ̀ͮ͜ه̀̾ͫ̀҉̭͍̰̤͍̻̠̫͕̝̳̥͔̰̞̘͔̼͢ه̵̵̲̻͖̣̗̯͆͐ͤ̍̾ͪ̚͟͞͝ه̡̧ͮ͆̍͌͂̑ͮͩ̿͂ͯ̿ͪ͋̆ͤ͜͝͏̗͔̣̙͖̟̘̝̟̳͎͚̼̰͈̩͔̼ه̴͔̜̹̬̩̟̹͎͕̲̟̝̩̻͙̗̇͂̓ͤ̾̈́͛ͥ̀̔̉̀͞ه̵̛̠̯̞̦̲̤͕͔͚͎̦̩̗͔̑ͤ̈̀̿̄ͦ̓͂͂̊ͬ̉̎ͫ̃͊͢͞͠ͅه̸̴̢̛͚̥̹̟̻̳̹̲͈̥͎̭͕̔ͩ̑ͫ̾ͪͪ̒͒͋ͭ͊̆̌ͅه̜͙̠̻͈̳̖̞̍̀̑̈́̏ͩͪͭ́́̕͟͡ͅهͯ͂̎̐̄͐̃̉̾̀̔͊̏ͧͦ͋͐́̚͟͏̦̭̫̙͙̣̮̩̼̥͈̰ͅͅه̸̧̭̳̙͚̞͙̤̜͍̘̥̤͋̌ͭ̂ͧͩ̏̅͒̂ͭͣͅه̶ͥ̍ͫ̀ͧ́҉̸͚̟̺̯͍̯͎̼̯̱̞̕ه̴̙̠̞̩͓̮̤̞̙͈̠̟̺ͩ̈͊̊͋̕͞ه̓ͮͫ͂ͤ̔͋ͥ͢҉̸͖̪̟̜̫͓͕̙̩̥̠̣̩̥̺̭͎͍͇͜ه̸̸̘̙̹̼̝͕̏͐͑͋͛͒ͦ̀̋ͯ̏͒ͩ̀ͮ͜ه̀̾ͫ̀҉̭͍̰̤͍̻̠̫͕̝̳̥͔̰̞̘͔̼͢ه̵̵̲̻͖̣̗̯͆͐ͤ̍̾ͪ̚͟͞͝ه̡̧ͮ͆̍͌͂̑ͮͩ̿͂ͯ̿ͪ͋̆ͤ͜͝͏̗͔̣̙͖̟̘̝̟̳͎͚̼̰͈̩͔̼ه̴͔̜̹̬̩̟̹͎͕̲̟̝̩̻͙̗̇͂̓ͤ̾̈́͛ͥ̀̔̉̀͞ه̵̛̠̯̞̦̲̤͕͔͚͎̦̩̗͔̑ͤ̈̀̿̄ͦ̓͂͂̊ͬ̉̎ͫ̃͊͢͞͠ͅه̸̴̢̛͚̥̹̟̻̳̹̲͈̥͎̭͕̔ͩ̑ͫ̾ͪͪ̒͒͋ͭ͊̆̌ͅه̜͙̠̻͈̳̖̞̍̀̑̈́̏ͩͪͭ́́̕͟͡ͅهͯ͂̎̐̄͐̃̉̾̀̔͊̏ͧͦ͋͐́̚͟͏̦̭̫̙͙̣̮̩̼̥͈̰ͅͅه̸̧̭̳̙͚̞͙̤̜͍̘̥̤͋̌ͭ̂ͧͩ̏̅͒̂ͭͣͅه̶ͥ̍ͫ̀ͧ́҉̸͚̟̺̯͍̯͎̼̯̱̞̕ه̴̙̠̞̩͓̮̤̞̙͈̠̟̺ͩ̈͊̊͋̕͞ه̓ͮͫ͂ͤ̔͋ͥ͢҉̸͖̪̟̜̫͓͕̙̩̥̠̣̩̥̺̭͎͍͇͜ه̸̸̘̙̹̼̝͕̏͐͑͋͛͒ͦ̀̋ͯ̏͒ͩ̀ͮ͜ه̀̾ͫ̀҉̭͍̰̤͍̻̠̫͕̝̳̥͔̰̞̘͔̼͢ه̵̵̲̻͖̣̗̯͆͐ͤ̍̾ͪ̚͟͞͝ه̡̧ͮ͆̍͌͂̑ͮͩ̿͂ͯ̿ͪ͋̆ͤ͜͝͏̗͔̣̙͖̟̘̝̟̳͎͚̼̰͈̩͔̼ه̴͔̜̹̬̩̟̹͎͕̲̟̝̩̻͙̗̇͂̓ͤ̾̈́͛ͥ̀̔̉̀͞ه̵̛̠̯̞̦̲̤͕͔͚͎̦̩̗͔̑ͤ̈̀̿̄ͦ̓͂͂̊ͬ̉̎ͫ̃͊͢͞͠ͅه̸̴̢̛͚̥̹̟̻̳̹̲͈̥͎̭͕̔ͩ̑ͫ̾ͪͪ̒͒͋ͭ͊̆̌ͅه̜͙̠̻͈̳̖̞̍̀̑̈́̏ͩͪͭ́́̕͟͡ͅهͯ͂̎̐̄͐̃̉̾̀̔͊̏ͧͦ͋͐́̚͟͏̦̭̫̙͙̣̮̩̼̥͈̰ͅͅه̸̧̭̳̙͚̞͙̤̜͍̘̥̤͋̌ͭ̂ͧͩ̏̅͒̂ͭͣͅه̶ͥ̍ͫ̀ͧ́҉̸͚̟̺̯͍̯͎̼̯̱̞̕ه̴̙̠̞̩͓̮̤̞̙͈̠̟̺ͩ̈͊̊͋̕͞ه̓ͮͫ͂ͤ̔͋ͥ͢҉̸͖̪̟̜̫͓͕̙̩̥̠̣̩̥̺̭͎͍͇͜ه̸̸̘̙̹̼̝͕̏͐͑͋͛͒ͦ̀̋ͯ̏͒ͩ̀ͮ͜ه̀̾ͫ̀҉̭͍̰̤͍̻̠̫͕̝̳̥͔̰̞̘͔̼͢ه̵̵̲̻͖̣̗̯͆͐ͤ̍̾ͪ̚͟͞͝ه̡̧ͮ͆̍͌͂̑ͮͩ̿͂ͯ̿ͪ͋̆ͤ͜͝͏̗͔̣̙͖̟̘̝̟̳͎͚̼̰͈̩͔̼ه̴͔̜̹̬̩̟̹͎͕̲̟̝̩̻͙̗̇͂̓ͤ̾̈́͛ͥ̀̔̉̀͞ه̵̛̠̯̞̦̲̤͕͔͚͎̦̩̗͔̑ͤ̈̀̿̄ͦ̓͂͂̊ͬ̉̎ͫ̃͊͢͞͠ͅه̸̴̢̛͚̥̹̟̻̳̹̲͈̥͎̭͕̔ͩ̑ͫ̾ͪͪ̒͒͋ͭ͊̆̌ͅه̜͙̠̻͈̳̖̞̍̀̑̈́̏ͩͪͭ́́̕͟͡ͅهͯ͂̎̐̄͐̃̉̾̀̔͊̏ͧͦ͋͐́̚͟͏̦̭̫̙͙̣̮̩̼̥͈̰ͅͅه̸̧̭̳̙͚̞͙̤̜͍̘̥̤͋̌ͭ̂ͧͩ̏̅͒̂ͭͣͅه̶ͥ̍ͫ̀ͧ́҉̸͚̟̺̯͍̯͎̼̯̱̞̕ه̴̙̠̞̩͓̮̤̞̙͈̠̟̺ͩ̈͊̊͋̕͞ه̓ͮͫ͂ͤ̔͋ͥ͢҉̸͖̪̟̜̫͓͕̙̩̥̠̣̩̥̺̭͎͍͇͜ه̸̸̘̙̹̼̝͕̏͐͑͋͛͒ͦ̀̋ͯ̏͒ͩ̀ͮ͜ه̀̾ͫ̀҉̭͍̰̤͍̻̠̫͕̝̳̥͔̰̞̘͔̼͢ه̵̵̲̻͖̣̗̯͆͐ͤ̍̾ͪ̚͟͞͝ه̡̧ͮ͆̍͌͂̑ͮͩ̿͂ͯ̿ͪ͋̆ͤ͜͝͏̗͔̣̙͖̟̘̝̟̳͎͚̼̰͈̩͔̼ه̴͔̜̹̬̩̟̹͎͕̲̟̝̩̻͙̗̇͂̓ͤ̾̈́͛ͥ̀̔̉̀͞ه̵̛̠̯̞̦̲̤͕͔͚͎̦̩̗͔̑ͤ̈̀̿̄ͦ̓͂͂̊ͬ̉̎ͫ̃͊͢͞͠ͅه̸̴̢̛͚̥̹̟̻̳̹̲͈̥͎̭͕̔ͩ̑ͫ̾ͪͪ̒͒͋ͭ͊̆̌ͅه̜͙̠̻͈̳̖̞̍̀̑̈́̏ͩͪͭ́́̕͟͡ͅهͯ͂̎̐̄͐̃̉̾̀̔͊̏ͧͦ͋͐́̚͟͏̦̭̫̙͙̣̮̩̼̥͈̰ͅͅه̸̧̭̳̙͚̞͙̤̜͍̘̥̤͋̌ͭ̂ͧͩ̏̅͒̂ͭͣͅه̶ͥ̍ͫ̀ͧ́҉̸͚̟̺̯͍̯͎̼̯̱̞̕ه̴̙̠̞̩͓̮̤̞̙͈̠̟̺ͩ̈͊̊͋̕͞ه̓ͮͫ͂ͤ̔͋ͥ͢҉̸͖̪̟̜̫͓͕̙̩̥̠̣̩̥̺̭͎͍͇͜ه̸̸̘̙̹̼̝͕̏͐͑͋͛͒ͦ̀̋ͯ̏͒ͩ̀ͮ͜ه̀̾ͫ̀҉̭͍̰̤͍̻̠̫͕̝̳̥͔̰̞̘͔̼͢ه̵̵̲̻͖̣̗̯͆͐ͤ̍̾ͪ̚͟͞͝ه̡̧ͮ͆̍͌͂̑ͮͩ̿͂ͯ̿ͪ͋̆ͤ͜͝͏̗͔̣̙͖̟̘̝̟̳͎͚̼̰͈̩͔̼ه̴͔̜̹̬̩̟̹͎͕̲̟̝̩̻͙̗̇͂̓ͤ̾̈́͛ͥ̀̔̉̀͞ه̵̛̠̯̞̦̲̤͕͔͚͎̦̩̗͔̑ͤ̈̀̿̄ͦ̓͂͂̊ͬ̉̎ͫ̃͊͢͞͠ͅه̸̴̢̛͚̥̹̟̻̳̹̲͈̥͎̭͕̔ͩ̑ͫ̾ͪͪ̒͒͋ͭ͊̆̌ͅه̜͙̠̻͈̳̖̞̍̀̑̈́̏ͩͪͭ́́̕͟͡ͅهͯ͂̎̐̄͐̃̉̾̀̔͊̏ͧͦ͋͐́̚͟͏̦̭̫̙͙̣̮̩̼̥͈̰ͅͅه̸̧̭̳̙͚̞͙̤̜͍̘̥̤͋̌ͭ̂ͧͩ̏̅͒̂ͭͣͅه̶ͥ̍ͫ̀ͧ́҉̸͚̟̺̯͍̯͎̼̯̱̞̕ه̴̙̠̞̩͓̮̤̞̙͈̠̟̺ͩ̈͊̊͋̕͞ه̓ͮͫ͂ͤ̔͋ͥ͢҉̸͖̪̟̜̫͓͕̙̩̥̠̣̩̥̺̭͎͍͇͜ه̸̸̘̙̹̼̝͕̏͐͑͋͛͒ͦ̀̋ͯ̏͒ͩ̀ͮ͜ه̀̾ͫ̀҉̭͍̰̤͍̻̠̫͕̝̳̥͔̰̞̘͔̼͢ه̵̵̲̻͖̣̗̯͆͐ͤ̍̾ͪ̚͟͞͝ه̡̧ͮ͆̍͌͂̑ͮͩ̿͂ͯ̿ͪ͋̆ͤ͜͝͏̗͔̣̙͖̟̘̝̟̳͎͚̼̰͈̩͔̼ه̴͔̜̹̬̩̟̹͎͕̲̟̝̩̻͙̗̇͂̓ͤ̾̈́͛ͥ̀̔̉̀͞ه̵̛̠̯̞̦̲̤͕͔͚͎̦̩̗͔̑ͤ̈̀̿̄ͦ̓͂͂̊ͬ̉̎ͫ̃͊͢͞͠ͅه̸̴̢̛͚̥̹̟̻̳̹̲͈̥͎̭͕̔ͩ̑ͫ̾ͪͪ̒͒͋ͭ͊̆̌ͅه̜͙̠̻͈̳̖̞̍̀̑̈́̏ͩͪͭ́́̕͟͡ͅهͯ͂̎̐̄͐̃̉̾̀̔͊̏ͧͦ͋͐́̚͟͏̦̭̫̙͙̣̮̩̼̥͈̰ͅͅه̸̧̭̳̙͚̞͙̤̜͍̘̥̤͋̌ͭ̂ͧͩ̏̅͒̂ͭͣͅه̶ͥ̍ͫ̀ͧ́҉̸͚̟̺̯͍̯͎̼̯̱̞̕ه̴̙̠̞̩͓̮̤̞̙͈̠̟̺ͩ̈͊̊͋̕͞ه̓ͮͫ͂ͤ̔͋ͥ͢҉̸͖̪̟̜̫͓͕̙̩̥̠̣̩̥̺̭͎͍͇͜ه̸̸̘̙̹̼̝͕̏͐͑͋͛͒ͦ̀̋ͯ̏͒ͩ̀ͮ͜ه̀̾ͫ̀҉̭͍̰̤͍̻̠̫͕̝̳̥͔̰̞̘͔̼͢ه̵̵̲̻͖̣̗̯͆͐ͤ̍̾ͪ̚͟͞͝ه̡̧ͮ͆̍͌͂̑ͮͩ̿͂ͯ̿ͪ͋̆ͤ͜͝͏̗͔̣̙͖̟̘̝̟̳͎͚̼̰͈̩͔̼ه̴͔̜̹̬̩̟̹͎͕̲̟̝̩̻͙̗̇͂̓ͤ̾̈́͛ͥ̀̔̉̀͞ه̵̛̠̯̞̦̲̤͕͔͚͎̦̩̗͔̑ͤ̈̀̿̄ͦ̓͂͂̊ͬ̉̎ͫ̃͊͢͞͠ͅه̸̴̢̛͚̥̹̟̻̳̹̲͈̥͎̭͕̔ͩ̑ͫ̾ͪͪ̒͒͋ͭ͊̆̌ͅه̜͙̠̻͈̳̖̞̍̀̑̈́̏ͩͪͭ́́̕͟͡ͅهͯ͂̎̐̄͐̃̉̾̀̔͊̏ͧͦ͋͐́̚͟͏̦̭̫̙͙̣̮̩̼̥͈̰ͅͅه̸̧̭̳̙͚̞͙̤̜͍̘̥̤͋̌ͭ̂ͧͩ̏̅͒̂ͭͣͅه̶ͥ̍ͫ̀ͧ́҉̸͚̟̺̯͍̯͎̼̯̱̞̕ه̴̙̠̞̩͓̮̤̞̙͈̠̟̺ͩ̈͊̊͋̕͞ه̓ͮͫ͂ͤ̔͋ͥ͢҉̸͖̪̟̜̫͓͕̙̩̥̠̣̩̥̺̭͎͍͇͜ه̸̸̘̙̹̼̝͕̏͐͑͋͛͒ͦ̀̋ͯ̏͒ͩ̀ͮ͜ه̀̾ͫ̀҉̭͍̰̤͍̻̠̫͕̝̳̥͔̰̞̘͔̼͢ه̵̵̲̻͖̣̗̯͆͐ͤ̍̾ͪ̚͟͞͝ه̡̧ͮ͆̍͌͂̑ͮͩ̿͂ͯ̿ͪ͋̆ͤ͜͝͏̗͔̣̙͖̟̘̝̟̳͎͚̼̰͈̩͔̼ه̴͔̜̹̬̩̟̹͎͕̲̟̝̩̻͙̗̇͂̓ͤ̾̈́͛ͥ̀̔̉̀͞ه̵̛̠̯̞̦̲̤͕͔͚͎̦̩̗͔̑ͤ̈̀̿̄ͦ̓͂͂̊ͬ̉̎ͫ̃͊͢͞͠ͅه̸̴̢̛͚̥̹̟̻̳̹̲͈̥͎̭͕̔ͩ̑ͫ̾ͪͪ̒͒͋ͭ͊̆̌ͅه̜͙̠̻͈̳̖̞̍̀̑̈́̏ͩͪͭ́́̕͟͡ͅهͯ͂̎̐̄͐̃̉̾̀̔͊̏ͧͦ͋͐́̚͟͏̦̭̫̙͙̣̮̩̼̥͈̰ͅͅه̸̧̭̳̙͚̞͙̤̜͍̘̥̤͋̌ͭ̂ͧͩ̏̅͒̂ͭͣͅه̶ͥ̍ͫ̀ͧ́҉̸͚̟̺̯͍̯͎̼̯̱̞̕ه̴̙̠̞̩͓̮̤̞̙͈̠̟̺ͩ̈͊̊͋̕͞ه̓ͮͫ͂ͤ̔͋ͥ͢҉̸͖̪̟̜̫͓͕̙̩̥̠̣̩̥̺̭͎͍͇͜ه̸̸̘̙̹̼̝͕̏͐͑͋͛͒ͦ̀̋ͯ̏͒ͩ̀ͮ͜ه̀̾ͫ̀҉̭͍̰̤͍̻̠̫͕̝̳̥͔̰̞̘͔̼͢ه̵̵̲̻͖̣̗̯͆͐ͤ̍̾ͪ̚͟͞͝ه̡̧ͮ͆̍͌͂̑ͮͩ̿͂ͯ̿ͪ͋̆ͤ͜͝͏̗͔̣̙͖̟̘̝̟̳͎͚̼̰͈̩͔̼ه̴͔̜̹̬̩̟̹͎͕̲̟̝̩̻͙̗̇͂̓ͤ̾̈́͛ͥ̀̔̉̀͞ه̵̛̠̯̞̦̲̤͕͔͚͎̦̩̗͔̑ͤ̈̀̿̄ͦ̓͂͂̊ͬ̉̎ͫ̃͊͢͞͠ͅه̸̴̢̛͚̥̹̟̻̳̹̲͈̥͎̭͕̔ͩ̑ͫ̾ͪͪ̒͒͋ͭ͊̆̌ͅه̜͙̠̻͈̳̖̞̍̀̑̈́̏ͩͪͭ́́̕͟͡ͅهͯ͂̎̐̄͐̃̉̾̀̔͊̏ͧͦ͋͐́̚͟͏̦̭̫̙͙̣̮̩̼̥͈̰ͅͅه̸̧̭̳̙͚̞͙̤̜͍̘̥̤͋̌ͭ̂ͧͩ̏̅͒̂ͭͣͅه̶ͥ̍ͫ̀ͧ́҉̸͚̟̺̯͍̯͎̼̯̱̞̕ه̴̙̠̞̩͓̮̤̞̙͈̠̟̺ͩ̈͊̊͋̕͞ه̓ͮͫ͂ͤ̔͋ͥ͢҉̸͖̪̟̜̫͓͕̙̩̥̠̣̩̥̺̭͎͍͇͜ه̸̸̘̙̹̼̝͕̏͐͑͋͛͒ͦ̀̋ͯ̏͒ͩ̀ͮ͜ه̀̾ͫ̀҉̭͍̰̤͍̻̠̫͕̝̳̥͔̰̞̘͔̼͢ه̵̵̲̻͖̣̗̯͆͐ͤ̍̾ͪ̚͟͞͝ه̡̧ͮ͆̍͌͂̑ͮͩ̿͂ͯ̿ͪ͋̆ͤ͜͝͏̗͔̣̙͖̟̘̝̟̳͎͚̼̰͈̩͔̼ه̴͔̜̹̬̩̟̹͎͕̲̟̝̩̻͙̗̇͂̓ͤ̾̈́͛ͥ̀̔̉̀͞ه̵̛̠̯̞̦̲̤͕͔͚͎̦̩̗͔̑ͤ̈̀̿̄ͦ̓͂͂̊ͬ̉̎ͫ̃͊͢͞͠ͅه̸̴̢̛͚̥̹̟̻̳̹̲͈̥͎̭͕̔ͩ̑ͫ̾ͪͪ̒͒͋ͭ͊̆̌ͅه̜͙̠̻͈̳̖̞̍̀̑̈́̏ͩͪͭ́́̕͟͡ͅهͯ͂̎̐̄͐̃̉̾̀̔͊̏ͧͦ͋͐́̚͟͏̦̭̫̙͙̣̮̩̼̥͈̰ͅͅه̸̧̭̳̙͚̞͙̤̜͍̘̥̤͋̌ͭ̂ͧͩ̏̅͒̂ͭͣͅه̶ͥ̍ͫ̀ͧ́҉̸͚̟̺̯͍̯͎̼̯̱̞̕ه̴̙̠̞̩͓̮̤̞̙͈̠̟̺ͩ̈͊̊͋̕͞ه̓ͮͫ͂ͤ̔͋ͥ͢҉̸͖̪̟̜̫͓͕̙̩̥̠̣̩̥̺̭͎͍͇͜ه̸̸̘̙̹̼̝͕̏͐͑͋͛͒ͦ̀̋ͯ̏͒ͩ̀ͮ͜ه̀̾ͫ̀҉̭͍̰̤͍̻̠̫͕̝̳̥͔̰̞̘͔̼͢ه̵̵̲̻͖̣̗̯͆͐ͤ̍̾ͪ̚͟͞͝ه̡̧ͮ͆̍͌͂̑ͮͩ̿͂ͯ̿ͪ͋̆ͤ͜͝͏̗͔̣̙͖̟̘̝̟̳͎͚̼̰͈̩͔̼ه̴͔̜̹̬̩̟̹͎͕̲̟̝̩̻͙̗̇͂̓ͤ̾̈́͛ͥ̀̔̉̀͞ه̵̛̠̯̞̦̲̤͕͔͚͎̦̩̗͔̑ͤ̈̀̿̄ͦ̓͂͂̊ͬ̉̎ͫ̃͊͢͞͠ͅه̸̴̢̛͚̥̹̟̻̳̹̲͈̥͎̭͕̔ͩ̑ͫ̾ͪͪ̒͒͋ͭ͊̆̌ͅه̜͙̠̻͈̳̖̞̍̀̑̈́̏ͩͪͭ́́̕͟͡ͅهͯ͂̎̐̄͐̃̉̾̀̔͊̏ͧͦ͋͐́̚͟͏̦̭̫̙͙̣̮̩̼̥͈̰ͅͅه̸̧̭̳̙͚̞͙̤̜͍̘̥̤͋̌ͭ̂ͧͩ̏̅͒̂ͭͣͅه̶ͥ̍ͫ̀ͧ́҉̸͚̟̺̯͍̯͎̼̯̱̞̕ه̴̙̠̞̩͓̮̤̞̙͈̠̟̺ͩ̈͊̊͋̕͞ه̓ͮͫ͂ͤ̔͋ͥ͢҉̸͖̪̟̜̫͓͕̙̩̥̠̣̩̥̺̭͎͍͇͜ه̸̸̘̙̹̼̝͕̏͐͑͋͛͒ͦ̀̋ͯ̏͒ͩ̀ͮ͜ه̀̾ͫ̀҉̭͍̰̤͍̻̠̫͕̝̳̥͔̰̞̘͔̼͢